Thanks for letting me know!!

“[A]fter watching Chasing Amy, Peters liked the gay black character in the film so much that he ordered Smith to make Brainiac’s robot servant L-Ron gay, asserting that the film needed a gay R2-D2 with attitude.”

YES. YES. This is what EVERY film needs: a gay R2D2 with attitude! But seriously, let’s focus on Rapebear.

First off, Smith was taken aback when Peters asked him, in all sincerity, “‘Kal-El’? Who’s this ‘Kal-El’ guy you keep mentioning in the script?” Then the insanity really started to take over. Peters demanded that Superman be stripped of his red and blue suit, arguing that the suit was “too pink, too faggy.”

Burton hated the flying FX in the 1978 film, too, so he didn’t want Superman to fly. Instead, he put Superman in a Supermobile. (Seven years later, AICN revealed that Burton and Peters had also planned on having Superman teleport from place to place in lieu of flying.) He also hated the classic costume, too, hence the oddball designs he proffered in its place, all of which would have featured silver-relief versions of the ElectroSupes S-shield and armored, treaded boots similar in design to what Michael Keaton wore as Batman

Burton planned to end the film with Luthor and Brainiac amalgamating to become a single villain called either “Luthinac” or “Lexiac”. (The concept art by Pete Von Scholly, shown at the Superman V.com site, depicted “Lexiac” as a gigantic slug-like creature with Luthor’s face.)

And then Ain’t It Cool News got a hold of Abrams’ script…

…and all hell broke loose. AICN’s review by Drew “Moriarty” McWeeny blew the lid off the Peters/Abrams/McG teaming by revealing the MASSIVE changes planned for the trilogy. The details of the script were as follows:

1. Krypton doesn’t explode. Instead it’s a Naboo rip-off overrun by robot soldiers, walking war machines, and civil war (can you say, Star Wars: Episode I?). Jor-El is literally the king of Krypton and leader of the Kryptonian Senate (thus Superman is a prince), and he and Lara send Kal-El to Earth because he is “the One” whom a prophecy states will save Krypton from destruction (rip-off of The Matrix). The villains, Jor-El’s evil brother and nephew Kata-Zor and Ty-Zor, take Jor-El prisoner and send probe pods out to find and kill the baby Kal-El. 14 years later, Lara and her shell-less turtle servant Taga (shades of Jar Jar Binks) are found by Ty-Zor, and Lara gets tortured to death.
2. Superman’s costume is a living entity housed in a can, and it climbs onto him when he needs it. He first discovers it in a closet when he’s 14 (Jor-El visited Earth and picked the Kents out to be Kal-El’s new parents, leaving them his picture, some S-shield metal pieces signifying the virtues Kal-El must represent, and the costume), and the costume rips his clothes off and stuffs him into itself. So teen Clark is flying around in a suit that’s way too big for him.
3. Lex Luthor is an evil CIA agent obsessed with UFO phenomena. When Superman reveals himself to the world, Luthor demands that the government allow him to hunt Superman down and kill him. The government refuses, so Luthor allies himself with the evil Kryptonians out to kill Kal-El…because Luthor himself is an evil Kryptonian, working undercover as a human to set up an invasion of Earth!
4. All the Kryptonians get into airborne kung-fu fights straight out of The Matrix. Even Luthor gets in on the act at the end of the script.
5. An aerial kung-fu fight between Superman and Ty-Zor results in Superman being lured into a trap: Lois is drowning in a tank filled with kryptonite. (This begs the question of how there can be kryptonite when Krypton didn’t even explode, but….) Superman is given a choice: save her and die from radiation poisoning in the act, or stand by and watch her drown. So he goes in, saves her, and dies. Jor-El magically senses Superman’s death from across the galaxy, commits hara-kiri with a rock he sharpens in his prison cell, goes to Heaven, and talks Superman into coming back to life so he can fulfill the prophecy of saving Krypton from its civil war. So Superman’s soul returns to his body, and he proceeds to trash Ty-Zor and his cronies. And at the end of the film, Superman flies off in a rocket to save Krypton (which is where the second film is planned to take place).
6. A dialogue scene at The Daily Planet implies that Jimmy Olsen—a horny skirt-chaser in the comic books—is gay, as Abrams describes him as “effeminate” and Perry White rags on him for having a boyfriend.

So… yeah. Be thankful for what you have.

I found the movie to be decent, not exactly what I expected, but a few good scenes saved it for me. I find the Lex Luther vs. Superman to be more of a battle between Lex “who desires limitless power to satisfy his ego” and Superman who Has limitless power, yet for the most part attempts to use it altruistically, although it occasionally hurts him (makes it hard to date etc).

I still find the tale to be more of a moral story, not one that relates directly to America per say, but rather a story on how Elites/ultrapowerful people should use their abilities for the common good, rather than for purely selfish ends…

I enjoyed the movie overall, although I expected more action, and some of the lines were just hard to handle >>Lois: ” you are so warm” to superman as they begin their flight together–ouch!